Friday, May 8, 2020

GRE Argument Essay - How to Make a Great Argument Essay

GRE Argument Essay - How to Make a Great Argument EssayA GRE Argument Essay is an important part of the whole process in applying for a University or College. It can even be your ticket to Harvard University, Princeton University, or Cornell University. These are all some of the best schools in the world, and chances are if you are aiming for a university, you are probably applying for one of these.Unfortunately, the process may seem much more difficult than the actual college degree. This is because students are forced to write a very long and difficult essay, in order to prove their worth as well as their credentials.One mistake that many people make, before actually starting the essay is to use a lot of adjectives and adverbs. For example, instead of saying 'it was a tedious task', why not use the word 'tremendous' instead? Instead of saying 'it is an excellent topic', why not say 'this is a really good topic'? What do you think is going to happen when you write such sentences?It is a good idea to start with a common topic, which you will keep throughout the entire essay. Don't think too much about the specific topic, but rather think about how you will use your common words throughout the essay.Avoid complex grammar, especially where it is required. If you forget to capitalize a certain word or term, it will affect the quality of your argument. It will make your essays look messy and off topic.You should spend most of your time writing your GRE Argument Essay, in the first part. This is usually your 'bread and butter' of the essay. The more you know about the topics of your college or university, the better it will be for you.So, if you find that your common word does not work well here, consider using another. You will also want to use the terms more often. This will give your essay an elegant look. By following this advice, you will be able to write a GRE Argument Essay that will impress your professors and make you stand out from the other candidates.

Wednesday, May 6, 2020

The Yellow Wallpaper, By Charlotte Gilman - 1542 Words

The short story, â€Å"The Yellow Wallpaper†, written by Charlotte Gilman, presents as a feminist text written in protest to the treatment of women by a male dominated society. The story is told from the narrator’s perspective, a woman who’s name we never learn. A woman suffering from post-natal-depression who is prescribed the remedy of the day, a course of treatment known as â€Å"rest cure†, in which the sufferer is confined to bed and not allowed to partake in the activities of daily life. This extended period of isolation and activity deprivation drives the narrator further into a depression, and later into insanity as she tries to cope with the isolation. In the story, the patriarchy of society is blamed in part for the narrator’s mental†¦show more content†¦The women are also portrayed as being inferior to men with the men being shown as more intelligent and in general better than the women. This shows not only the male dominance in society in general but also in the family unit. This can be seen when the husband forces the narrator to occupy the nursery upstairs, against the wife’s wishes. Her attempts to move to a different room are rejected by the husband. This shows the husbands higher status in the family. This can be seen when the narrator says, â€Å"If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression – a slight hysterical tendency – what is one to do?† (Gilman, 473). This quote by the narrator shows John’s status as a doctor and husband are of higher social status and importance and because of this, the narrator feels she must accept what he says as true. Another example of the narrator being treated as a child is when her husband refuses to let her visit her relatives and she begins crying, the husband, misunderstanding her tears picks her up carr ies her to bed and reads to her until she falls asleep. Each of the husband’s actions seem to reinforce the idea that he is in charge and sees his wife as little more than a child that requires his attentions. First, he carries her in his arms, displaying his physical strength andShow MoreRelatedThe Yellow Wallpaper by Charlotte Gilman1116 Words   |  5 PagesThe Yellow Wallpaper by Charlotte Gilman â€Å"The Yellow Wallpaper† written by Charlotte Gilman is a chilling portrayal of a woman’s downward spiral towards madness after undergoing treatment for postpartum depression in the 1800’s. The narrator, whose name remains nameless, represents the hundreds of middle to upper- class women who were diagnosed with â€Å"hysteria† and prescribed a â€Å"rest† treatment. Although Gilman’s story was a heroic attempt to â€Å"save people from being driven crazy† (GilmanRead MoreThe Yellow Wallpaper By Charlotte Gilman992 Words   |  4 Pagesâ€Å"The yellow wallpaper† The Yellow Wallpaper is a story about women’s repression in the 19th century. This story shows an immense difference between men and women inside society. While the men are the one making the decisions and taking responsibility, women must accept their obligations. The protagonist is repressed and appear for the effect of the oppression of women in society. This effect is develop by the use of complex symbols such as, the room, the wallpaper, the window which facilitates herRead MoreThe Yellow Wallpaper, By Charlotte Gilman958 Words   |  4 Pagesbabies. 100 years ago this wasn’t a diagnosis, it was very common and plenty of women went through it. â€Å"The Yellow Wallpaper† by Charlotte Gilman, talks about how the main character in the story was suffering from postpartum depression, schizophrenia and obsession. These depressions led her to write this story to expose physician’s misdiagnoses and lack of understanding. Charlotte Perkins Gilman was born in 1860 in Hartford Connecticut, her childhood led to depression and her suicide. Her father abandonedRead MoreThe Yellow Wallpaper, By Charlotte Gilman1381 Words   |  6 PagesThe Yellow Wallpaper, written by the famous Charlotte Perkins, is a captivating short story published in 1892 that presents the story from the perspective of the narrator. This story is quite fascinating and readers may easily view it from different perspectives. For example, some readers may interpret it as a medical critique while others may view it as feminist allegory. In this short story, Charlotte Gilman uses her personal experiences with pregnancy, especially the depression and anxiety thatRead MoreThe Yellow Wallpaper By Charlotte Gilman1574 Words   |  7 PagesThe yellow wallpaper by charlotte Gilman is about a woman who slowly descends into madness trying to please herself and have a voice even though she is a woman in a time that is is expected for her to obe y her husband and be the wife he wants her to be. This short story took many years to be published, one publisher even wrote in a rejection letter to Gillman that stated â€Å"I could not forgive myself if I made others as miserable as I have made myself by reading this† (Stephens, 1997). The commentRead MoreThe Yellow Wallpaper By Charlotte Gilman Essay1205 Words   |  5 Pagesâ€Å"The Yellow Wallpaper† by Charlotte Gilman examines the negative effects of the â€Å"rest cure†, a common approach used in the nineteenth century to treat women suffering from severe nervous symptoms (Bassuk 245). The text not only condemns the callous, medical treatment that the narrator endures, but, it also addresses the misogynistic beliefs and the resulting gender inequalities that endorse the use of such treatments. This theme is made explicit in the narrator’s persistent attempts to escape theRead MoreThe Yellow Wallpaper, By Charlotte Gilman1582 Words   |  7 Pag eshusbands want them to do, as well as what society wants them to do. Charlotte Gilman published The Yellow Wallpaper in 1892 and wrote this short story because she experienced the same confinement that the narrator did. The narrator s role in the family in the short story, The Yellow Wallpaper, represents the ideals and attitudes toward gender roles in the Victorian Era which will evolve into present-day ideas and roles. Gilman s use of confinement throughout the story provides context as to howRead MoreThe Yellow Wallpaper By Charlotte Gilman964 Words   |  4 Pageslearn from this experience. Reading scholarly articles was not easy at all. They were long and had many words I did not understand; it was actually the first time I had ever read scholarly articles. I choose the story â€Å"The Yellow Wallpaper† by Charlotte Gilman. The Yellow Wallpaper was a good story to write about because it was challenging and interesting. Writing a research paper could be challenging in so many level; it test your knowledge and skills. For example, having to fully understand theRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1362 Words   |  6 Pagesas freaks. In the short story â€Å"The Yellow Wallpaper† by Charlotte Perkins Gilman, both of these elements are present. Gilman did a wonderful job portraying how women are not taken seriously and how lightly mental illnesses are taken. Gilman had, too, had firsthand experience with the physician in the story. Charlotte Perkins Gilman s believes that there really was no difference in means of way of thinking between men or women is strongly. â€Å"The Yellow Wallpaper† is a short story about a woman whoRead MoreThe Yellow Wallpaper By Charlotte Perkins Gilman1547 Words   |  7 PagesCharlotte Perkins Gilman s career as a leading feminists and social activist translated into her writing as did her personal life. Gilman s treatment for her sever e depression and feelings of confinement in her marriage were paralleled by the narrator in her shorty story, The Yellow Wallpaper. Charlotte Perkins Gilman was born in 1860 in Hartford, Connecticut. Her parents, Mary Fitch Perkins and Fredrick Beecher Perkins, divorced in 1869. Her dad, a distinguished librarian and magazine editor

Tuesday, May 5, 2020

Democratic Consolidation in Nigeria free essay sample

This development was heralded as an avenue to usher in democratic stability and good governance. However, contrary to widespread expectations, the post-military regime became an avenue for the explosion of violent ethno-religious conflicts in Nigeria. As a matter of fact, since the emergence of democracy in May 1999, not less than one hundred ethnically and religiously instigated conflicts have occurred in Nigeria which resulted in loss of lives and unquantifiable material and psychological damage. Drawing from documentary research and findings, this paper probes the persistent spate of ethno-religious crises in Nigeria and its harmful implications on democratic consolidation in Nigeria. It investigates the history, causes and manifestations of ethno-religious conflicts in Nigeria and maintains that unbridled lust for power, corruption, religious intolerance and the failure of the government to deliver democratic dividends, have resulted in these conflicts between ethnic and religious groups in the country. In the light of all these then, can democracy thrive in an atmosphere of crises? Can Nigeria come out of ethno-religious conflicts? If so, what steps can the government take to rein in the menace of these crises? Finally, the paper provides submissions for curbing this social epidemic, which has become a permanent feature of the Nigerian social polity. Keywords: Nigeria, Ethno-religious, Crises, Democracy, Development Introduction Democracy could be said to be a seed: when you sow bountifully, you reap bountifully. Thus, one of the dividends of democracy, which Nigerians have reaped in abundance since the transfer of power from the military to the civilians on May 29, 1999, is the rising wave of ethno-religious conflicts with devastating and untold consequences on lives and property (Jega, 2007: 116). Nigeria is a very populous nation in Africa with diverse cultural heritage. In fact, the country has a population of over 140 million and over 400 ethnic groups belonging to different religious sects as well (Salawu, 2010: 345). Since the attainment of independence, Nigeria has remained a multi-ethnic nation, which has been grappling with the problem of ethnicity on the one hand and that of ethno-religious conflicts on the other hand. At the inception of independence, for administrative expediency the various ethnic factions were fused and merged together by the colonialists. Then, the colonial masters left and things started falling apart, the center no longer held. No ethnic group desired to see the other. Little wonder then that the former Secretary of State at the British Colonial Office (1952-1959), Sir Peter Smitters regretted the action taken by the British to merge diverse ethnic groups into one in Nigeria. According to Ali (2004) cited in Adebayo (2010: 214), he was reported to have lamented that it was extremely dangerous to force diverse radical and social entities into single rigid political structure. However, that statement was medicine after death; the deed had been done. Indeed, a conglomerate of almost four hundred ethnic groups, each having its distinct history, language, culture and political systems before the colonial rule, all preserved in mitigated forms with the British system of governance super-imposed and named Nigeria really had future implications for unity. The colonial administration, for administrative convenience, compressed and merged the various ethnic groups in their respective regions, making Hausa/Fulani, Igbo, and Yoruba the major ethnic groups and reinforced the three political/administrative divisions – the north, the east, and the west, under appropriate constitutional arrangement. At independence and post independence era, the status-quo of the colonial era was retained under that infantile freedom, with every group retaining its tradition, language, and culture while sharing the common central institutions in a federal arrangement (Adebayo, 2010: 214). As a result, these major ethnic groups, because of their opportunistic positions were seen as consistently dominating the political and economic scene before and after the attainment of independence in 1960 and this led to agitations for state creation by the other â€Å"minor† ethnic groups who saw themselves as the marginalized groups. However, the more states were created, the more the complaints of marginalization and inequality by the new minorities against the new majorities in each state (Abdullahi and Saka, 2007). Consequently, the proliferation of ethno-religious and political turbulence in the country is therefore necessitated on the one hand by cultural, communal and religious differences and on the other hand by fear of domination nursed by the minority groups. As if what constitutes the federalism is not satisfied, there have been agitations for reversing back to the old regional autonomy of the different groups for the purpose of determining the pace of their development and control of their respective resources. These pernicious phenomena of ethnicity and religious intolerance led to the incessant surge of ethno-religious conflicts, which gave birth to the many ethnic militias today like the O’dua People’s Congress (OPC) put in place by the Yoruba in the south-western part of the country to fight for the protection and defence of Yoruba in Nigeria; the Movement for the Actualization of the Sovereign State of Biafra (MASSOB), fighting for the cessation of the Igbo ethnic tribe in Nigeria; the Bakassi Boys; the Egbesu Boys; the Ijaw Youth Congress (IYC), the Igbo Peoples’ congress (IPC); the Arewa People’ Congress (APC) and the Ohaneze Ndigbo among others. This might probably be the feeling of Elaigwu (2005: 12) when he writes †¦the violent protests in the Niger-Delta over perceived injustice in resource distribution; the Itsekiri-Ijaw violence in the Delta; the resumption of the Ife-Modakeke communal violence; the menace of Odu’a Peoples’ Congress (OPC) and the accompanying violence in Lagos and Shagamu areas; the formation of the Arewa Peoples’ Congress (APC) and the Igbo Peoples’ Congress (IPC); the MASSOB feeble attempt to resuscitate Biafra; the Sharia crisis and the demands for a confederation; the South-South demand for the control of its resources; and all the recent interethnic/religious conflicts in various states across the country are all part of the bubbles of the Nigerian federation. They are based on the historical structures of mutual fears and suspicions among Nigerian groups in a competitive process. They reflect dissatisfaction of Nigerian groups with the state of the federation. With the emergence of all these ethnic militias and the deep divide between the various ethnic groups, religious intolerance became more violent and bloody with more devastating results using the ethnic militias as the executing platforms of ethno-religious agenda. Federalism thought to be an approach to national unity, resulted to anarchy in the country. A number of steps were taken to at least mend the disunity and disarray prevalent then and promote unity among the various ethnic groups. These included the establishment of federal institutions in some states of the federation, promotion of national cultural and sporting activities, and, more significantly, the National Youth Service Programme (NYSC), just to mention a few (Adebayo, 2010). Although these steps yielded pockets of successes in achieving national unity, the â€Å"unholy† marriage of convenience of the ethnic groups still begs for irrevocable divorce. While the ethnic rivalry held sway, religious pluralism, which culminated in many crises, shook the country to its very roots. The pernicious effect of this trend is not entirely surprising given the fact that religion is so sensitive to Nigerians that many are not only ready to defend it at all costs, but are ready to die for it. Hence, religious pluralism which resulted in religious intolerance was fused with ethnic rivalry, producing the recurrent spate of ethno-religious crises. And because of the violent nature of ethno-religious conflicts, which often take the form of riots, sabotage, assassinations, lynching and maiming, kidnappings, armed struggles, guerilla warfare and secession in Nigeria, they undoubtedly pose dangerous threats to democracy in Nigeria and Africa as a whole. Yes, as Jega (2007: 116) truthfully stated, the genetically engineered seeds of democracy planted by our colonial masters and further successive military regimes have grown to mature crops for harvest. Instead of democracy yielding peace, stability and security to lives and property, it seems to have yielded a return, full circle spate of ethno-religious conflicts and violent eruptions. Thus, the discussion of ethno-religious conflicts in whatever context becomes all the more necessary given the fact that there is a phenomenal recurrence of these conflicts around the nation thereby increasing its threat level to democratic consolidation in Nigeria. It is against this backdrop that this paper attempts to probe the history, manifestations and implications of ethno-religious crises in Nigeria since the dawn of democratic dispensation. Causes of Ethno-Religious Crises in Nigeria According to Awolowo (1990: 35), the notion of Nigeria as â€Å"a mere geographic expression† was engendered by the forceful packaging by colonial authoritarian fiat of unwilling communities of diverse origin and culture under the same polity. Consequently, relations and political behavior of the peoples are characterized by mutual suspicion and invidious hatred since they are strange bed-fellows, who were only coerced into the nation-state via amalgamation. Until 1960, Nigeria was a British colony. Like most colonies, it was not constructed for internal coherence, but rather for the administrative convenience of the British (Shively, 1997: 39). Over 400 different languages and dialects are spoken within its borders, and there is also an important religious split, as the north is primarily Muslim and the south is predominantly Christian, making her not only at ethno-religious crossroads but also at linguistic crossroads. As diverse as these ethnic groups are, they are also not accommodative of each other’s religion and professions of faith. This state of intolerance has added up to fuel the spate of crises in Nigeria. It should be noted that religion has always been the platform for frontal expressions of ethnic aggressions and conflict. Hence, ethnocentric politics, sectional solidarity and primordial interests became prominent features in the nation’s political practice. Sectional and individual virtues and interest rather than collective virtues and national unity are advanced and exalted. Thus, communal orientation precluded any attachment to the state and the syndrome of the ‘son of the soil’ took preference over merit and competence in the choice of policies and leaders. Although as Obasanjo and Mabogunje (1992: 4) aptly observed, colonialism provided scaffolding of holding the different communities together, not much change was achieved in altering communal mentality and predilection. Nonetheless, the persistent military incursion into government and politics did much harm for the body polity as national issues was mostly tribalized and primordial virtues extolled. These regimes had primordial outlook and sub-national mentality under which the northern part of the country was favoured brazenly, on one hand, and the southern part was deliberately dealt with in terms of appointments, contracts, location of government establishments, political oppression and repression as well as provision of social services and infrastructures. As a result, ethnic sectarianism has left a trail of destructive violence and even threatened the territorial integrity of Nigeria (International Institute for Democracy and Electoral Assistance, 2001). Indeed, after long years of authoritarian rule, when the military clique and their civilian collaborators privatized the Nigerian state (Ukiwo, 2003), politicians in the emergent Fourth Republic were all too anxious to claim control of the state and its oil wealth as well. This thus led to an unbridled competition for political relevance and spheres of interests among politicians, especially in the context of the division of the country into geopolitical zones, states and local governments and the fact that distribution of benefits among the political class depended on the ability of each member of the ruling class to deliver his constituency. This lust for power has led to the neglect of the needs of the masses and the demand for peaceful co-existence. Instead, the rulers continue to enrich their pockets through corrupt dirty means and seek for elongation of tenures for selfish gains. In the circumstance, ethnicity, religion and other sectarian identities are exploited, resulting in avoidable violent conflicts among component units of the country. The persistence of mass poverty and increasing income inequality, largely as a result of the transformation of the fortunes of politicians and their allies from jobless neighbors to emergency billionaires in less than two years after capturing power, have deepened popular alienation. It has also called into question the legitimacy since 1999. Consequently, some of the easiest things to do in contemporary Nigeria are to mobilize an assassin, vigilante, ethnic-cum-religious militia, rioter, crowd or rented pro-government demonstrator. The result could only be imagined. The power lust of the political cliche is one of the perceived causes of ethno-religious crises in Nigeria. Another reason responsible for ethno-religious crises in Nigeria is the wrong interpretation by those who claim authority to the understanding of the holy books. If not so, one wonders why people act contrary to the teaching of the holy books (whether the Quran or the Bible) in matters pertaining to peaceful co-existence, unity and sanctity of life, and property. As it is a serious disease for someone who does not have a full grasp of the interpretation of any of the holy books to claim authority to knowledge, many of the so called ‘religious leaders’ use their shallow knowledge to put up interpretations to suit their selfish ends banking on the ignorance of their followers. Lamenting on the wide gap between the teaching and practice of religion among its adherents, Adebayo (2003) cited in Adebayo (2010: 219) identified some factors responsible for using religion as instrument of polarization, among which is leadership tussle, which also culminated in the proliferation of many denominations in the country. Also, sectarian jingoism, as well as excessive patriotism to one’s religious sect, which consequently transformed to fanaticism, is another major factor contributing to this social menace. Salawu (2010) also noted that the failure of the Nigerian leaders to establish good governments, forge national integration and promote what can be called real economic progress, through deliberate and articulated policies, has led to mass poverty and unemployment. This has resulted into communal, ethnic, religious and class conflicts that have now characterized the Nigerian nation. Poverty and unemployment have therefore served as nursery bed for many ethno-religious conflicts in Nigeria because the country now has a reservoir of poor people who warmongers as mercenary fighters. What this means theoretically is that poverty and unemployment increase the number of people who are prepared to kill or be killed for a given course at token benefit. This explains why all ethno-religious crises that ever occurred in Nigeria have a large turnout of people (including the under-aged) as fighters. Lastly and very importantly, and not the least, the ethno-religious conflicts in Nigeria also have some historical antecedent (Salawu, 2010). This is because many governmental actions during the colonial rule and after independence encouraged, to a large extent, the sowing of the seeds of ethno-religious conflicts that are found to be rampant in the Nigerian nation today. Over the years, many events in Nigeria have led to the politicization of mistrust, intolerance, violence and acrimonious relations between the mainly Moslem north and the Christian south of Nigeria. To this extent, there has been an unfortunate insertion of ethno-religious discrimination and incompatibility in the structures of the Nigerian State since the colonial period. The political events of the January 15, 1966 coup and the July 1966 counter-coup further entrenched ethno-religious configuration in Nigeria. This is because the killings and counter-killing that followed the coups which took ethnic and religious colorations as the Muslim dominated tribes in the north were set against the Christian-dominated tribes of the southern region.

Sunday, April 5, 2020

art with twist Essays

art with twist Essays art with twist Essay art with twist Essay Name: Course: Instructor: Date: Mona Lisa’s Salvador Dali Alteration In 1954, Salvador Dali painted the Mona Lisa as a self-portrait. The alternation associated the painter’s facial features to the Original Mona Lisa. For instance, the Salvador Lisa painting exhibits a moustache and no central hair division, uncharacteristic of the original Mona Lisa. Additionally, the soft feminine hands are replaced by callous masculine hands that are not folded but holding many coins. Salvador prefers restricted color shades using only black and white unlike Leonardo’s painting. The eyes in the later painting are conspicuous while disproportional to each other. However, the later painting retains most original details in reference to the burst hair and neck. I choose the paint because of the contrast in emotions it creates to a viewer familiar with the original art piece. Salvador Dali is Spanish in decent and was born in May 1904. He was made to believe by he was the incarnate form of his brother who had died nine months before Salvador’s birth. With his mother’s encouragement, he pursued art in Madrid’s fine art institute earning recognition for his cubanism art style (Bennett 16). He was later expelled on claiming none of the faculty members was competent enough to examine him (Dali? et al. 201). However, he excelled to the extent of having exhibitions with acclaimed artists such as Picasso and Miro. More ever, Salvador’s painting illustrates a level of outrageousness in its distinctive features such as the moustache or hands. The beautiful mystic inherent in the original painting is replaced by disbelief from the hideous stare in Salvador’s painting. An audience of the later painting can deduce a cultural transformation during the period between the two art pieces. Where artists in Leonardo’s era were resp ected beauty freedom and mystic in comparison to Salvador’s era where self-perception and money are of preeminence given the addition of personal facial features with a handful of coins replacing the liberty of Mona Lisa’s hands. Leonardo da Vinci is the artist behind the original Mona Lisa. He exhibited great ingenuity during the renaissance age through his music, physics, paintings and literary works. Born in Italy in 1452, Leonardo acquired informal education in languages, art, and mathematics and related engineering fields while as an apprentice. His Father was a rich and practiced polygamy. He was born out of wedlock to a peasant young girl in Vinci Italy. Leonardo’s recognition in the early ages was mostly through his scientific and industrial inventions. The Mona Lisa was a project he undertook between 1504 and 1519 to paint a smiling woman. The painting is characterized by enigma given the smile and the stare where Leonardo darkens the shade on the lip as well as the eyelids. The painting is arguably Leonardo’s’ most favorite given he kept it until his death (Witteman 20). The enigma in the painting inspired artists such as Walter Pater to express better female mystique via painting. The oil colors where combined and brushed to create a background uncommon at that age complementing the appeal already existing in the smooth neck and burst. Mona Lisa has no sign of overlaying thus indicating Leonardo’s expertise in spite of his habit of leaving paintings unfinished. His paintings like the Mona Lisa demonstrated an integration of knowledge in geology, anatomy and color traits learnt while as an apprentice (Witteman 4). Salvador, replaces the sense of freedom in the original background by painting a grey almost turbulent shade. This can be explained as an attempt to create a satirical twist on the original painting. Work cited Bennett, L. (2005). Salvador Dali. Chicago, Ill: Heinemann Library. Dali?, Salvador, and Haakon Chevalier. The Secret Life of Salvador Dali?. New York: Dover Publications, 1993. Print. Galli, Letizia, and Leonardo. Mona Lisa: The Secret of the Smile. New York: Doubleday Book for Young Readers, 1995. Print. Witteman, Barbara. Leonardo Da Vinci. Mankato, Minn: Capstone, 2008. Print.

Sunday, March 8, 2020

Hitlers Rise To Power essays

Hitler's Rise To Power essays President Hindenburg appointed Hitler Chancellor of Germany on January 30th 1933, having successfully campaigned to make the Nazis the most popular party. He had been legally elected and chosen to form a government. Why was he able to capture the hearts and minds of the German people in his rise to power? In this essay, I will explore whether Hitlers image accounted for his appointment to the top job or whether there were other reasons. Hitler used his image to look powerful. He had a loud, harsh, monotonous, dulcet voice. When the people of Germany heard this voice they felt commanded, as if he was someone who was angry about the state of their country but could do something about it. His voice made him sound like someone who had a great deal of power. Not only did his voice help him appear powerful, but even his clothes, haircut, facial expressions, logos, and mannerisms played a part, too. He wore very military clothes, like a uniform, nothing rich, no bright colours. I think that made him very appealing to the lower classes, for it was as if he was one of them, as if he did not come from a very upper class background. It made him seem more worthy to be a leader if he had experienced the poverty that most of Germany was going through. His haircut also followed through with the idea that he had a poor and military background. A simple style made millions follow him. He used fierce facial expressions, which gave people hope that he could be the saviour and leader that Germany had been longing for. Hitler had memorable logos, the main one being the swastika. The symbol itself actually derives from Paganism, but, when interpreted from its peaceful meaning by the Nazis, Pagans shortly abandoned it. The swastika was used on banners, uniforms, and posters... in fact, anywhere that they could think of displaying it. It helped to spread awareness of the Nazis, and when wearing an armband with the logo on it, people fe ...

Friday, February 21, 2020

See Below Essay Example | Topics and Well Written Essays - 250 words - 9

See Below - Essay Example However, this appearance of unanimity quickly disappears if we ask, â€Å"What are the parameters of a free speech in a host of complex circumstances?† Therefore, practical implications for acceptance of these rights are highly uncertain. Utilitarian explores the pros and cons of an action before choosing the better action (Rachels 102). Commonsense might be misguided; therefore, commonsense cannot be trusted. Utilitarianism has contributed greatly in filling up deficiencies of commonsense. Most argue that utilitarianism may lead to conclusions that are contrary to commonsense morality (Rachels 103). Commonsense advocates may also argue that one should not sacrifice some humans for the happiness of others. If we put this into utilitarian perspective, then we may never realize the peace that we often enjoy. Hence, it is equally â€Å"commonsense† that soldiers should sacrifice their lives in a defensive war. In conclusion, it is a good thing that utilitarianism cannot be reconciled with common sense. Commonsense cannot be trusted and may be misguided. In many of our present circumstances, we are forced to weigh what action is of more benefit to a majority, such as sending soldiers to war torn zones (sacrificing) so that a majority may enjoy

Wednesday, February 5, 2020

The Negative Effects of Gluten in Food Research Paper

The Negative Effects of Gluten in Food - Research Paper Example As a result, the gluten sensitive people fall victim to different diseases like obesity, osteoporosis, depression, celiac disease and non-celiac related food allergies. Generally, intestinal biopsy is conducted in people to detect if they are sensitive to gluten. Researches are underway to know more about how gluten affects the health of a person. The best way to avoid diseases for a gluten sensitive patient is to be on a gluten-free diet. Many researchers and physicians have been pondering lately over the considerable rise of diseases like obesity, osteoporosis, depression, celiac disease and non-celiac related food allergies among common people. There is much discussion ongoing in the medical world as to the major cause of such chronic diseases. Gluten is thought to be one factor which is recognized to be causing these diseases in people who are allergic to it. Research suggests the negative effects of gluten in food are obesity, osteoporosis, depression, celiac disease and non-celiac related food allergies. Gluten causes damage to the small intestine and starts giving off symptoms in people who are gluten sensitive. The damaged intestine give way to inadequate absorption of nutrition and the gluten sensitive person suffers from different diseases. Gluten is a form of protein which is generally found in wheat, barley and rye. It can be said that it is found in many types of cereals and various types of bread. However, gluten is not present in all types of food from the grain family. Some grains like rice, millet, corn quinoa and oats do not contain gluten. Hunter (1987) states that â€Å"One of the gluten’s main protein fractions is gliadin, which is a complex mixture†(pg. 3). Books (2005) explains that â€Å"Gluten is a type of protein found in wheat, barley, rye, triticale and oats†(pg.7). When this protein is metabolized in the body of a certain person, it can at times give a tremendous problem.  Ã‚